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Cinematographic Study of Ritwik Ghatak's Komal Gandhar

Updated: May 28, 2021




Ritwik Ghatak was one of Pioneering and prominent Filmmakers of Bengal , Contemporary of Satyajit Ray & Mrinal Sen.. During the 1960s, Ghatak directed a trilogy which deeply reflected the agony of the partition of Bengal at the grassroots. Starting with Meghe Dhaka Tara, based on the lives of a ‘bhadralok’ (gentry) Hindu family living in a refugee camp on the outskirts of what was then Calcutta, Ghatak continued his commentary on the political divide with Komal Gandhar and Subarnarekha.


Being a student of Cinema right from FTII days I have been deeply influenced by Ritwik Ghatak and his films . Every time I revisit his films it makes me emotional and deeply inspires me to know more about the Master . He is indeed a great Filmmaker with a fantastic understanding of Cinematic Language & Craft..


This is an humble attempt to understand & analyse Ritwik Ghatak's film " Komal Gandhar' from a Narrative & Cinematographic standpoint


Narayan Kumar

Cinematographer & Teacher


About the Mentor



You may register for the workshop by making a payment of Rs 300


Registrations for this workshop is currently closed . We would be repeating this workshop and also will be offering new workshops and sessions in the coming weeks . Please write to us at graypatch4 @gmail.com or visit our Website https://www.graypatch.in/ and fill in the “Get in touch “ details to be notified for future workshops .

On Komal Gandhar



Sharing Ritwik Ghatak's thoughts on Cinematography



About Ritwik Ghatak




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Thanks for your interest !

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